Matazo Kayama - Deer (鹿)
| Artist | Matazo Kayama (Japan, 1927-2004) |
| Year | 1927-2004 |
| Materials | Etching on paper |
| Size | (H)38.0cm, (W)48.0cm |
| Framed | (H)45.0cm, (W)57.6cm, (D)2.5cm |
| Rarity | Unique |
| Medium | |
| Signature | Hand-signed in pencil at lower right margin, annotated H.C. at lower left, with an embossed hexagonal blindstamp on the sheet. |
| Condition and Authenticity | Overall light toning. Scattered foxing in image and margins, slight crease at upper left of image. Frame has several small dings. This artwork does not include a certificate of authenticity. |
| Provenance | Auction in Japan |
| Frame | Wooden frame with cream mat and gold inner fillet. Several small dings at the top and right side. Verso is clean with corner brackets and hanging cord intact. Plain cardboard outer box and yellow cloth pouch included. |
This etching belongs to Matazo Kayama's investigation of the animal motif as pure line. A herd of deer is not described so much as woven: bodies, necks and legs dissolve into continuous parallel strokes that behave like tendrils, leaf veins and running water, so that the boundary between animal and plant is deliberately left open. The plate is worked almost entirely in fine hairline engraving, with the open tone of the plate itself carrying the light. Kayama, trained in Kyoto and the son of a Nishijin textile designer, spent the 1960s onward fusing the decorative logic of classical Japanese painting with Western construction and printmaking technique, a direction that earned him the label of a modern Rinpa master. This impression is a hors commerce proof outside the numbered edition, hand-signed in pencil by the artist at the lower right and annotated H.C. at the lower left, with an embossed hexagonal blindstamp pressed into the lower left of the sheet. It is presented in a wooden frame with a cream mat and a gold inner fillet, and retains its plain cardboard outer box and yellow cloth pouch.